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I'm nearly done with edits for "The Pack." I now have, officially, five beta-readers/editors who've volunteered their time to read the second draft of the book and tell me what needs fixing and what can stand as it is. Admittedly, I'm a bit nervous about sending it out into the big, bad world and letting people rip it to shreds. But, that's what I'm looking for - non-biased editing. If it sucks, I''m hoping they'll say so. Because, worst case scenario, "The Pack" becomes one of those manuscripts lurking in the bottom drawer of the desk and I move on to Nessa's story. Nessa, incidentally, has become even more pushy about getting her voice out into the world. I literally have to fight to stop myself from plopping down and writing the first couple chapters of Nessa's story (still no title for it, *sigh*) because I know if I get going on that, I won't ever get my edits done on "The Pack." D'oh! Nessa - and Tristan, and Quilla, and Lucas, and Quinlan - are all so much more three-dimensional to me. I can see them all much more clearly than my characters in "The Pack." I don't know if that means the story will be stronger, or if it just means I identify with these characters more. Who knows? I am definitely enjoying every visit from Nessa and Co., though. Right, back to work. I have to feed the puppies and get those edits completed. Current Mood: optimistic
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Despite being in Texas for the weekend, I brought along my laptop and my floppy disks that contain "The Pack" and have been working to tweak it. I've been working on this book for nearly two months now, though, and specifics are beginning to blend in my mind. I have to keep asking myself, "Did you include this earlier... or did you only think you should include this earlier?" I'll have to ask my proofreaders to be extra-careful when reading to verify that it all ties together and makes sense. I think the best thing about proofreaders (besides the obvious catching-of-the-mispelled-words) is the fact that you have someone who can ask you questions. Mandy - who has been proofreading my stuff since we met as little fifteen-year-olds - never fails to ask me the important questions about a story and send me spiralling in a new direction that always strengthens what I'm writing. Therefore, I encourage my proofreaders (you know who you are) to make notes in the margins of the manuscripts they'll be getting in a couple months. If something seems wrong, make a note of it. If something is unexplained or seems to jump out of left field, make a note of it. I suppose I'll have to keep all this in mind when I write the letter with instructions for the manuscript. Oh, dear, oh, dear... so many things on my mind! And all the other stories are clamouring for their turn to be written. It almost feels like being the belle of a ball... if you're a nerdy author, that is. Current Location: Bowie, Texas Current Mood: spazzy
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Last night, while putting away some containers of food for the dogs in the garage freezer, I managed to slam my left ring-finger in the door to the house. It was a rather solid, terrible slam. On the pad of my finger are three huge lacerations where the skin was literally peeled off, and two smaller cuts. The pad is darkly bruised, and the nail is an interesting blue-purple color, as well. Now that it's morning (and the nerves have stopped singing "Ave Maria" in an off-key squeal) I can type with my index and middle finger of that hand. My ring and pinkie I am keeping clear of the keys. I'm trying not to let this slow me down on the editing, but the pain is rather distracting, and the fact that I'm very worried if I get too involved in adding to a scene, I'll forget my finger and type with it, which will definitely exacerbate the pain. As if I didn't have enough work-related road blocks, right? Tags: edits, pain, road blocks, stupidity Current Mood: cranky/hurt
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I managed to wrap up "The Pack" today, meaning that I've gotten everything from "PROLOGUE" to "THE END" typed. Now begins the fun of my first edits. There are huge chunks I want to add, and huge chunks I want to remove. This will probably take me a day or two to do these first, initial edits. Then I'll print the book off and start sticky-noting things. For example, when I refer to Lani's eyes as topaz blue, do I make sure that I follow through with that throughout the book, or do I drift off into light blue or dark blue (neither of which really describes the incandescent color of topaz). It's a long process of verifying that I don't contradict myself with anything I've written in the past couple of months (from the inception to the initial note-taking flurry to the actual writing of the novel). There are a few scenes I know I rushed; I'll have to go back in and carefully rearrange them, add things and subtract things and give them the old spit-and-polish treatment. Plus, there are parts of the book that I feel are painfully ambiguous. I want to solidify those so there's no confusion as to where the book is heading as we slog toward "THE END." But, overall, I'm feeling good about "The Pack." It's not where I want it to be, but the first draft of writing is over. Now I can move on to first edits, second edits, third edits... and the fun of sending copies to Mandy and Alli, the two wonderful ladies who've volunteered to edit the book for readability. I'm going to have to invest in printer ink - there are going to be copies of this book floating all over the place before long. Tags: edits, the pack Current Mood: cheerful
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